![why use ewqlso stereo double why use ewqlso stereo double](https://media.soundsonline.com/images/so_vi-screenshot_thumb_4@2x.png)
It probably made more sense perhaps a decade or more ago when most of these libraries were released. Also - In some cases attempting to haas effect a stereo recording can result in the perception that the image is actually not as wide as the original recording. The haas effect is most pronounced when trying to 'stereo-ize' a mono signal. That's the haas effect, the only way to take a mono signal and make it seem wider is by duplicating it to two channels, then delaying one of the two channels. What is the benefit of this? Why would I want a stereo image to be made out of two left signals for example? And what does that has to do with the Haas effect?Ĭlick to expand.If it's making "stereo" from "mono" then there you go. Gives the user the option of using exclusively the left stereo signal or right'.
WHY USE EWQLSO STEREO DOUBLE MANUAL
Why doesn't the manual offer a similar explanation? Because as it is it seems to describe a different process. I can understand the explanations given here in this thread. I know you, Johnny, describe using the Stereo Double control in conjunction with the pan knob, but I just want to understand what Stereo Double does in itself. What is the benefit of this? Why would I want a stereo image to be made out of two left signals for example? And what does that has to do with the Haas effect? And then it seems to describe simply that the knob determines the spread of the signals, rather than a more asymmetrical panning process (which can still be determined by the pan knob). There's no mention of slightly delaying either the left or right channel. Select between the left and right signal with the L and Turning off the controls with the button to the left of the knob.
![why use ewqlso stereo double why use ewqlso stereo double](https://www.search-manual.com/0/209/eastwest-symphonic-choirs-gold-virtual-instrument-208786.jpg)
A value of 0% brings the two channels together at theĬenter (unless the Pan knob positions the output differently), and is the equivalent of The knob lets the user determine the spread of the signals, how far apart the ear perceives This knob, with its three buttons, gives the user the option of usingĮxclusively the left stereo signal or right when “Stereo” is selectedįrom the Channel Source drop-down. I guess that makes sense - and you've gone into good depth there Johnny - thank you.īut the explanation in the manual seems to describe something a bit different: (Note: the main melody was using a flute in East West RA and was not stereo doubled) Hope this helps and best of luck! The percussion was stereo doubled slightly as well, left side percussion with stereo left added and right side percussion with stereo right added- all in very subtle increments of the stereo dial, perhaps 3% to 5% of movement only. Here's an example using Hollywood Strings, Hollywood Brass and Storm Drum 2, where I've applied a little stereo doubling to each of the sections, slight mic panning as well to further augment the stereo bump, just to make them sound a little more "chamber" and up close and intimate within the room. And if it is the effect you like? That is fine too.
![why use ewqlso stereo double why use ewqlso stereo double](https://dt7v1i9vyp3mf.cloudfront.net/styles/news_large/s3/imagelibrary/e/ewql04stringskompakt-jxnTLI2gt4wXUFMpMHwfETmEkTV9OiL7.jpg)
Just be mindful not to go too far with the amount of stereo dialing when attempting to simulate room depth, this will leading to classic stereo doubling and it might not be the effect you are going for if it is not on "vocals or guitar" for example. Just play around with it, and try to simulate room spaces! The results are always pretty interesting. Used on percussion, you can also enhance the illusion of depth and space. This provides the illusion that the 1st Violins are now occupying a more left heavy space in the room, mitigating the chance of clashing with the 2nd violins and widening your stereo image overall. Now engage the stereo pan dial, left side only, and dial it up just the slightest bit to gently "warp" the stereo imagine by about 5%. Let's say you were using a 1st Violin staccato? And it was mildly stepping into your 2nd Violin Staccato?! In this case I would engage the main and mid (or close) mics on the 1st Violins, and slightly alter my mid mic from default center, slightly to the left by about 10%. The trick here is not to crank the dial 100% wet, but mainly use the dial for manipulation to further augment your microphone panning to taste.
![why use ewqlso stereo double why use ewqlso stereo double](https://epicomposer.com/wp-content/uploads/2021/09/eastwest-hollywood-orchestra-opus-edition-player.jpg)
It can be a bit tricky to get right pending the instruments you are applying it to, but when used appropriately? It is a masterful addition to your mixing tool set! For myself, I tend to use it on percussion and strings. The stereo control is used to enhance the sense of space and depth in your mix and can be used in a multitude of ways: mainly for stereo doubling and/or delaying the left or right side instrument channel and introducing the HAAS effect to your instrument tracks to provide the illusion of adding more width and depth.